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February 2003 Spotlight Featured Article

Everything I Know About Writing Romance I Learned from Newspapers, by Nancy Warren

Have you ever noticed how many romance authors are former journalists? No one's suggesting you have to sign on with the National Enquirer for a stint before you can write a romance novel, but some of the tools of the reporter's trade can come in very handy when writing your novel.

My first job out of university, with my English Literature degree still wet, was with a community newspaper. I was the newsroom gopher -- answering phones, proofreading, and writing articles. This happened a while ago, you understand, before everything was computerized and our articles had to be waxed and pasted down onto flats that were driven to the printers. We wrote by column inches. If you had fifteen inches and came in at sixteen, a paste-up person (okay, we called them monkeys) would take their exacto knife and slice off the final inch. If you were lucky, they'd do it at the end of a sentence. Ditto if you thought you had fifteen inches and an ad came in larger than expected. Ads pay for space, articles don't. Slice.

I forgot my essay-style writing of building up to a stunning conclusion and learned to reverse the process. In fact, I learned a lot of things in that job. Here are just a few.

Get the important information right up front. In a newspaper article it would be the lead paragraph; in a romance it's the first sentence, the first scene. Who, What, When, Where, Why? Those famous five questions of the journalist must be answered, or at least alluded to, in order to pull the reader into your romance. Who is this story about? What's going on? What's the problem they are facing? When is this happening? Where is it located? Why is the most critical question. Why should the reader care? Why should they read on?

Make every word count. This is especially true in freelancing where writers are paid by the word. In novels, where there are so many words, it's easy to let freeloaders jump on board. Ask yourself, would you pay for this word? This sentence? This paragraph?

Respect deadlines. In a newspaper a missed deadline often kills the story and doesn't do a journalist's reputation any good. Romance editors work on schedules, too. Meet your deadlines and if for some reason you can't, let your editor know as soon as possible. Deadlines can also be your friends. I admit to being a bit of a deadline junkie. I produce a lot more when I know I must. Get into the deadline habit even if you're not yet published. Contests are great. You can also commit to your own deadlines. Write them down. Challenge a fellow author to complete a novel by a certain date. Writing goals down and making them public really does help.

Choose your quotes carefully. Journalists will condense an interview that may have lasted fifteen minutes or an hour into a few words or lines. The quotes they choose are those that best represent the character and point of view of the person being interviewed—and, of course, the words that make the reader want to find out more. This is a great skill for romance dialogue. Don't let your characters ramble on the way people do in real life. Get to the good stuff. Journalists also pay attention to body language, facial expression, and listen to what's not being said as well as what is. Start paying attention to unspoken communication, especially when someone is in conflict or under stress.

Write the right word. Words are the tools of our trade. Keep your vocabulary in top working order and try to choose the best word for the context. Also, remember, these are words not the crown jewels. Editors will edit them, and this is a good thing. Nothing improves a good writer like a good editor.

Research pays off. Facts and significant details add enormously to the authentic feel of a novel. And don't overlook the local newspaper for story ideas.

Nancy Warren (who), a former journalist (what), went back to the newsroom for a Temptation, Duets trilogy set in rival newspaper offices. HOT OFF THE PRESS is a February (when) Temptation, and will be followed in April by A HICKEY FOR HARRIET and A CRADLE FOR CAROLINE, a Double Duets. Visit Nancy on the web at www.nancywarren.net (where) for excerpts, contests and news updates (why).

Articles may be reprinted in RWA® chapter newsletters, attributed to the Spotlight. Non-RWA® newsletters may not reprint articles without the permission of the authors.

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This page was last updated February 12, 2003.