HOMEMEMBERSPUBLISHED AUTHORSMEETINGS
EVENTSNEWSLIBRARYNEWSLETTERLINKS
 

May 2002 Spotlight Featured Article

So You Think You Want to Write
by Katherine Cook

I don't know if you're like me. I wanted to write almost from the time I can remember. I wasn't one of the precocious sort who composed short masterpieces in Math or French class, but I did tell my friends wonderful stories of the adventures our stuffed animals shared, or grabbed my notebook and jotted down bits and pieces of Tony's story (he was a young fellow swept up into a world of magic in rural England.) I had dreams - dreams of writing, of being published, of being the youngest ever award-winning author.

But my dreams were just that - dreams. I had no idea how to make those dreams a reality. So for many years my dreams faded, moldering on the back burner of life as I tried to find a "real" profession for myself.

But in spite of my search for normalcy, I kept writing. I couldn't help myself. The words spilled over onto paper, or onto the computer, almost without my volition. The times in my life when I didn't let the words spill forth, I was someone others really didn't want to be around. And because of my need to write, I've learned a lot about the craft and the profession of writing. From a myriad of people in a myriad of ways, I've learned how to make my dreams of being a writer real. For the most part, it has to do with turning my dreams into goals.

Goals, as we all know, are attainable. They aren't airy-fairy tales of fiction. They are concrete steps towards an achievement. So I learned to set goals around my writing. I took steps towards my goals, and learned to review my movement in relationship to my goals and make adjustments. I finally got that just by taking these steps, I make big things happen. Simple? Maybe. If you're like me, though, simple is not always obvious. And simple bears repeating. So here are some of the things I've learned about goals, and about making big things happen.

First off, get clear on what you want. Do you really want to write? If you answer yes, then make sure you do write. If you're like me, it 's not always the easiest thing to do. But if you're like me, you will be working towards what you want. (An added bonus is that the other people in your life will likely thank you.) You can write five minutes a day or five hours; half a page every two days or 20 pages daily. It can be pristine prose that flows onto the pages magically, or a fight for every word. It doesn't matter how much you write or how good it is. Just make sure you write. Remember, something is always better than nothing.

Next, get clear on what you want to do with your writing. Do you like writing just for you, or do you crave an audience? Both mean writing, but in very different ways. If your drive is to write the stories just for you, then go for it. But if you want more than anything to be published, don't sell yourself short. Even when I was scared to let my best friend read my work, deep down I knew I wanted an audience. Writing my stories down, while fulfilling and exciting, was not enough. I also knew that I wanted to make a living through my writing. (Maybe I'm deluded, but that's a different topic.) In my reality, it is possible to make a living writing. But in order to have a chance of realizing this goal, I have to get my work out to publishers and agents.

Now, again, I don't know if you're like me, but I hate sending my work out into the world. I love to procrastinate. I love to edit and re-edit. I love to tell myself that one query or partial or whatever out on an editor's desk is sufficient. After all, only one person has to like me enough to want to publish me. But you know what? I'm not helping myself reach my goals, or fulfill my dreams, by telling myself those stories. That's another thing I've learned. I only help myself reach my goals by reviewing what it is I want and making sure my actions are in line with the goal. If I want to be published and I'm not sending my work out in a consistent way, I'm probably not going to find the editor who loves my voice. To put it in a positive form, the more I send out my babies (my work), the more likely I am to find that editor and/or agent who thinks I am the best thing since, well, you can fill in your own blank. I'm sure you get the idea.

The other thing is to be clear on is what do you want to publish. Do you want to write long or short pieces? Do you want to be published in one area, or do you want to be published no matter what? Does it matter? I've realized that I don't care if I'm published in long or short form, in books or magazines. What is important to me is to get my name out there. And to get my name known, I have to send my work out.

And related to this is my next point - this business is mostly a numbers game. Ask anyone who has spent any time in this business and they'll generally agree. The number I've heard bandied around the romance industry is seven years. That's seven years of submitting before being published. And I'm pretty sure it's not seven years of writing and one submission. It's seven years of submitting and submitting. Seven years of rejections.

So, how do we deal with rejections? Most of the tips I've heard from published and unpublished writers involve lots and lots of chocolate, and occasionally kicking something (preferably something that a) won't kick back, and b) won't lead to some sort of police intervention.) The other thing I have heard, and finally learned to do, is to take the rejection on the chin. To me, that means immediately sending out another query. I have spent far too many hours sitting by my computer, stuffing in the chocolate, fretting, and beating my chest, and not making another move. While I think this is a perfectly natural response, it has not led me to my goals. Strange
as it seems, the publishers don't seem to realize that it is my right - and their privilege - to see my work in print. They aren't knocking down my door. They don't seem to know that I've had enough of rejections and know that now it's my turn. In short, they don't know that I want more than anything to be published. And unless I get query letters and partials and full manuscripts out to them, they aren't going to know. It shouldn't be so, perhaps, but there it is. Real life sucks sometimes.

However, not getting published sucks even more. So I keep my goal firmly in mind and keep sending. Do I get discouraged? You bet. Do I ever want to crawl into a hole and never come out? Yes, of course. Am I going to stop doing what I'm doing? Well, that's where it gets difficult.
You see, I could find myself a non-psychotic regular office job and leave the land of rejection letters behind forever. But when I contemplate a life without writing, I start getting antsy. I can't imagine a life where I never write again. I want to write. I have to write. And you know what? If I'm going to write, I might as well go for it all.

So I keep my end goal in mind. That clarity is my power. It's where I find the strength to keep doing the things I would rather not do. And it's the way I can reach my goals and make my dreams come true. And after all, isn't that what our industry is all about?

Katherine Cook is a member of GVC.

Articles may be reprinted in RWA® chapter newsletters, attributed to the Spotlight. Non-RWA® newsletters may not reprint articles without the permission of the authors.

Back to top

 

This page was last updated May 28, 2002.